Bhadi Sabha Mein Thane Manaun Lyrics in Hindi & Meaning

Contents

0.1 Origin & Spiritual Essence
0.2 Why It Ignites Devotional Surrender

1 Lyrics in Hindi (Devanagari)
2 English Transliteration

Bhadi Sabha Mein Thane Manaun: Invoking the Spear-Wielding Mother

Mata Bhawani (श्री ज्वाला भवानी), the fiery manifestation of Shakti worshipped as the Protector of Dharma in Her Dhaulagarh sanctum.

Origin & Spiritual Essence

Composed in Rajasthani folk tradition by Shri Chhabiladas (as referenced in final stanza), this battle-hymn carries the phalaśruti of fearlessness—devotees chant it when facing adversity to summon the Mother’s lion-mounted might and wisdom-light (jnan ki jyot).

Why It Ignites Devotional Surrender

Embedded in Shekhawati’s warrior culture, bhaktas sing this during dangals (traditional wrestling matches) and life’s battles, trusting that “जिस पर होज्या महर आपकी, वो नर कदे डरे ना मां” (one blessed by Mother’s grace never fears).

Lyrics in Hindi (Devanagari)

भरी सभा में थाने मनाऊं,
दौहा – आय भवानी वास कर,
मेरे घट के पट दे खोल,
रसना पर वासा करो,
मैया सुध शब्द मुख बोल।


भरी सभा में थाने मनाऊं,
तू आज्या मात ज्वाला,
सिंग पे चढके आज्या भवानी,
लेके लम्बा भाला माँ।।


धौलागढ़ में भवन मात तेरा,
उंचा फरूके झण्डा मां,
दुर देशांरां आवे जातरी,
लेकर झोली झण्डा मां,
चढने चढ़ाव पान सुपारी,
बंटरेया हलवा मंडा मां,
थारी शरण मे मौज करे मां,
भगत पुजारी पंडा मां,
शंख और घड़ियाल बाजरया,
उंचा बण्या दिवाला,
सिंग पे चढके आज्या भवानी,
लेके लम्बा भाला माँ।।


इक दिन सुमरी हनुमान ने,
लंका फूंक जलाई मां,
जानी चौर मां थाने सिंवर के,
छतराणी छुड़वाई मां,
आला उतल थाने सिंवर के,
बावन लड़ी लड़ाई मां,
जगह जगह पर भवन मात तेरा,
घर -घर मे पुजवाई मां,
पल्लू में है मां ब्रह्माणी,
गल पुष्पो की माला माँ,
सिंग पे चढके आज्या भवानी,
लेके लम्बा भाला माँ।।


बावन भैरूं चौसट जोगणी,
संग मे लेकर आइये मां,
भक्त खड़या थारे मन्दिरिये मे,
आके दर्श दिखाइये मां,
बांई भुजा पर बैठ भवानी,
ज्ञान की ज्योत जगाइये मां,
मेरे हिरदे की खौल किवांड़ी,
ताल कंठ दर्शाईये मां,
ज्ञान ध्यान की ज्योत जगाकर,
कर घट में उजियाला,
सिंग पे चढके आज्या भवानी,
लेके लम्बा भाला माँ।।


दंगल में आए बिन मईया,
मेरा काम सरे ना मां,
एक काम मेरा सिध नही होता,
जब तक महर करे ना मां,
जिस पर होज्या महर आपकी,
वो नर कदे डरे ना मां,
छबीलदास मैया थारे भजन बिना,
गाना शुरू करे ना मां,
ख़ुश हो कर थारी करूं बड़ाई,
हरगिज करूं ना टाला,
सिंग पे चढके आज्या भवानी,
लेके लम्बा भाला माँ।।
गायक – पवन शर्मा चौहिल्यांवाली।
प्रेषक – समुन्द्र चेलासरी।
मो.- 8107115329

English Transliteration

Bhari Sabha Mein Thane Manaun,
Doha – Aay Bhavani Vaas Kar,
Mere Ghat Ke Pat De Khol,
Rasna Par Vaasa Karo,
Maiya Sudh Shabd Mukh Bol.


Bhari Sabha Mein Thane Manaun,
Tu Aajya Maat Jwala,
Singh Pe Chadhke Aajya Bhavani,
Leke Lamba Bhaala Maa..


Dhaulagarh Mein Bhavan Maat Tera,
Uncha Farooke Jhanda Maa,
Dur Deshanraan Aave Jaatri,
Lekar Jholi Jhanda Maa,
Chadhne Chadhav Paan Supaari,
Bantreya Halwa Manda Maa,
Thari Sharan Me Mauj Kare Maa,
Bhakt Pujaari Panda Maa,
Shankh Aur Ghadiyaal Baajraya,
Uncha Banya Diwaala,
Singh Pe Chadhke Aajya Bhavani,
Leke Bhaala Maa..


Ik Din Sumri Hanuman Ne,
Lanka Foonk Jalaai Maa,
Jaani Chaur Maa Thane Sinvar Ke,
Chatraani Churvaai Maa,
Aala Utal Thane Sinvar Ke,
Bawan Ladi Ladai Maa,
Jagah Jagah Par Bhavan Maat Tera,
Ghar-Ghar Me Pujvai Maa,
Pallu Mein Hai Maa Brahmaani,
Gal Pushpo Ki Maala Maa,
Aajya Maa Jwala..


Bawan Bhairoom Chausath Jogani,
Sang Mein Le Kar Aaiye Maa,
Bhakt Khada Thare Mandiriywe Mein,
Aake Darsh Dikhaiye Maa,
Baai Bhuja Par Baith Bhavani,
Gyaan Ki Jyot Jagaaiye Maa,
Mere Hirde Ki Khaul Kiwandi,
Taal Kanth Darshaaiye Maa,
Gyan Dhyan Ki Jyot Jagakar,
Kar Ghat Mein Ujiyala,
Aajya Maa Jwala..


Dangal Mein Aaye Bin Maiya,
Mera Kaam Sare Na Maa,
Ek Kaam Mera Sidh Nahi Hota,
Jab Tak Mahar Kare Na Maa,
Jis Par Hojya Mahar Aapki,
Vo Nar Kade Dare Na Maa,
Chhabiladas Maiya Thare Bhajan Bina,
Gaana Shuru Kare Na Maa,
Khush Ho Kar Thaari Karoon Badaai,
Hargiz Karoon Na Taala,
Singh Pe Chadhke Aajya Bhavani,
Leke Lamba Bhaala Maa..

Devotional Interpretation

Doha: “Reside on my tongue, Mother—unlock my heart’s doors!” The soul pleads for divine speech and inner awakening.

First Call: “Come seated on Your lion, Spear-Holder!” Visualizing Mata’s arrival in royal assembly (sabha) as cosmic protectress.

Dhaulagarh Glory: Describes Her temple’s victory-flag attracting pilgrims worldwide. Offerings like paan and halwa symbolize sweet surrender.

Hanuman’s Witness: Recalls how even Hanuman needed Her grace (maharashtra) during Lanka’s burning and Sita’s rescue.

52 Bhairavs, 64 Yoginis: Invokes Shiva’s fierce retinue to accompany Her—establishing Shakti as Supreme.

Final Surrender: Chhabiladas declares nothing succeeds without Her grace (maharashtra), embodying a warrior-devotee’s dependence.

Best Practices for Chanting

When: Tuesdays/Fridays at sunrise, during Navratri, or before confronting challenges. Ideal during Shakti Puja Muhurat.

How: Light a ghee diya with red flowers. Chant 11x facing North. Wrestlers rub earth from Dhaulagarh on their foreheads.

Visualization: Imagine Mata astride Her lion, spear piercing obstacles while jnan jyot (wisdom-light) illuminates your heart.

Living Legacy

Regional Style: Performed in Shekhawati’s mand ragas with dholak and defiant vocals—capturing Rajasthan’s martial spirit.

Modern Renditions: Pavan Sharma Chauhanvali‘s version (embedded below) carries raw desert-floor energy—a nostalgia trigger for Marwaris worldwide.