1982-aerial-view-of-bateshwara-shiv-temple-complex-in-morena-madhya-pradesh
1982-aerial-view-of-bateshwara-shiv-temple-complex-in-morena-madhya-pradesh

Introduction & Spiritual Essence

Located in the serene village of Dah Parvatiya, just west of Tezpur in Assam, lies a fragment of divine history preserved in stone. While the current visible ruins are often associated with the Ahom period, the spiritual bedrock of this site dates back to the 6th century under the Gupta Empire. Known locally as the Da Parbatia temple complex, this site is not merely a monument but a surviving witness to the architectural zenith of ancient India.

The presiding deity of this ancient site is Lord Shiva. Though the original murti (idol) is lost to time, the sanctity of the place remains intact. The temple stands on the foundations of a much older structure, creating a unique layering of history where devotees walk upon the same ground as their Gupta-era ancestors.

Phalaśruti: Why Devotees Visit

According to traditional beliefs, visiting this site fulfills specific spiritual desires:

  • Cleansing of Ancestral Karma: It is believed that performing rituals here helps pacify planetary afflictions, particularly those related to Shani (Saturn) and Rahu, thereby cleansing ancestral lineage.
  • Blessings of Wisdom (Saraswati): The intricate carvings and the scholarly nature of the temple’s history attract students and researchers seeking the blessings of Goddess Saraswati for knowledge and clarity.
  • Harmony in Domestic Life: As a site dedicated to Shiva-Parvati, couples visit to seek blessings for marital harmony and stability.
See also  Ketakeshwar Dewal Tezpur: History, Darshan Timings & Shivalinga Guide

Historical Origins & Scriptural Legend

The history of Dah Parvatiya is a dual narrative of imperial glory and spiritual resilience.

The Gupta Legacy (6th Century CE)

Archaeological excavations conducted by the Archaeological Survey of India (ASI) in 1924 revealed the existence of a Gupta-era temple. This places Dah Parvatiya among the earliest stone structures in Northeast India. The architects of the Gupta period were masters of structural purity, moving away from rock-cut caves to free-standing stone temples.

The Ahom Period Overlay

Centuries later, during the Ahom period, the temple underwent significant reconstruction. The Ahom rulers, known for their syncretic culture, revered the ancient site but rebuilt the structure using bricks and stone, overlaying the original Gupta foundations. This created the stone-paved layout of the sanctum sanctorum and the mandapa (hall) seen today.

Scriptural & Oral Legends

While specific Vedic verses detailing this site are focused on regional lore, the Sthala Purana (local legend) suggests that the site was a potent center of Tantric practices during the Gupta era due to its proximity to the Brahmaputra River, which is considered a manifestation of Lord Vishnu’s cosmic energy.

Da Parbatia is a small village very close to west Tezpur, in the Indian State of Assam. In the village there are significant architectural remnants of an ancient temple of the sixth century overlying the ruins of another Shiva temple built of bricks during the Ahom period. Archaeological excavations done here in 1924 have unearthed a sixth century antiquity in the form of a stone door frame with extensive carvings.The ruins of the temple built during the Ahom period are built over the ancient temple’s foundations and are in the form of a stone paved layout plan of the sanctum sanctorum and a mandapa.This complex is under the jurisdiction of the Archaeological Survey of India and its importance and notability is recorded under the Ancient Monuments and Archaeological Sites and Remains Act 1958

Architectural Marvels

The architecture of Dah Parvatiya is a testament to the transition in Indian temple design.

Gupta Style

The surviving stone door frame is the crown jewel of this site. It reflects the classic Gupta architectural style, characterized by grace, proportion, and structural clarity. The carvings on the door frame display the mature artistic sensibilities of the 6th century, featuring intricate scroll work and divine figures that rival the best temples of North India.

See also  Mahamaya Dham Bogribari: History, Darshan Timings & Complete Pilgrimage Guide

Vastu Shastra Elements

The layout follows the principles of Vastu Shastra, with the Garbhagriha (sanctum) positioned for maximum solar energy absorption during the equinoxes. The remnants of the Mandapa suggest a spacious hall for congregational worship, typical of the era.

Status: The site is protected by the Archaeological Survey of India (ASI) under the Ancient Monuments and Archaeological Sites and Remains Act, 1958.

Darshan & Ritual Logistics

Unlike active temples with large presiding deities, Dah Parvatiya is a heritage site. However, the ASI maintains the sanctity of the location for visitors and devotees.

Daily Timings

SessionTiming
Morning Darshan06:00 AM – 12:00 PM
Evening Darshan03:00 PM – 06:00 PM
Closure12:00 PM – 03:00 PM (Lunch Break)

Sevas and Rituals

While the site is preserved, specific temple rituals are symbolic. For those seeking deeper engagement:

  • Heritage Walk & Meditation: Visitors are encouraged to sit in the Mandapa area for quiet meditation.
  • Online Seva Booking: As this is a protected archaeological site, standard temple sevas (like Abhishekam) are not conducted by the ASI. However, during Shivratri, local temple committees often organize special prayers nearby.

2026 Festival Calendar

  • Maha Shivaratri: February 26, 2026
  • Assamese New Year (Rongali Bihu): April 14, 2026
  • Kartik Purnima: November 5, 2026

Practical Visitor Guidance

As a heritage site managed by the ASI, specific protocols must be followed to preserve the monument.

Rules & Etiquette

  • Dress Code: Modest attire is recommended. Traditional Indian wear is preferred.
  • Photography: Allowed. The stone carvings are highly photogenic. Avoid using flash directly on the stone to prevent degradation.
  • Mobile Lockers: There are no official locker facilities on-site. Carry minimal belongings.
  • Accessibility: The site is on ground level, but the terrain is uneven due to archaeological excavations. Wheelchair access is limited.

Crowd Management & Seasonal Advice

  • Best Hours: 8:00 AM to 10:00 AM offers the best natural light for photography and a tranquil atmosphere.
  • Summer (March–June): Tezpur can get humid. Carry water and a hat.
  • Monsoon (June–September): The Brahmaputra valley receives heavy rainfall. Visit early in the morning to avoid showers.
See also  Dhekiakhowa Bornamghar Jorhat: History, Timings & Complete Pilgrimage Guide

Pilgrimage Connectivity

Dah Parvatiya is strategically located in the cultural hub of Sonitpur district.

How to Reach

  • By Air: The nearest airport is Lokpriya Gopinath Bordoloi International Airport in Guwahati, approximately 180 km away.
  • By Rail: Tezpur Railway Station is the nearest railhead, well connected to Guwahati and other major cities.
  • By Road: The site is located on the outskirts of Tezpur. It is accessible via the NH 715 and local state highways. Taxis and auto-rickshaws are readily available from Tezpur town.

Nearby Sacred Sites

Enhance your pilgrimage by visiting these nearby spiritual destinations:

  1. Bamuni Hills: Located just 1 km away, these ruins feature exquisite Gupta-era sculptures and offer panoramic views of the Brahmaputra.
  2. Mahabhairab Temple: Situated in Tezpur, this ancient Shiva temple is believed to be founded by King Banasura.
  3. Kolabari Temple: A serene spot on the banks of the Brahmaputra, ideal for evening Aarti.

Photo Gallery

Frequently Asked Questions (FAQ)

1. Is there an entry fee for Dah Parvatiya?

Yes, as it is an ASI-protected site, a nominal entry fee is charged for Indian citizens and foreign tourists. Please carry cash as digital payments may not always be accepted at the ticket counter.

2. Is there a VIP darshan entry available?

No, VIP darshan is not applicable as this is an archaeological monument rather than an active temple with a presiding deity. Entry is first-come, first-served.

3. Can I perform Abhishekam at the ruins?

Strictly no. ASI regulations prohibit the use of water, oil, or other liquids on the monument structure to prevent damage to the ancient stonework.

4. What is the best time of year to visit Tezpur?

The ideal time is between October and March when the weather is cool and dry, perfect for exploring outdoor ruins.

5. Are there accommodation options nearby?

Tezpur town, just a few minutes away, offers a range of hotels and guesthouses ranging from budget to mid-range.

Contact Details

Official Address:
Dah Parvatiya (Da Parbatia),
Tezpur, Sonitpur District,
Assam, India.

Recent Posts

Mere Satguru Ne Di Thi Davai Lyrics in Hindi & Meaning

Mere Satguru Ne Di Thi Davai: Invoking the Guru’s Liberating Wisdom This soul-stirring bhajan venerates the Satguru (True Spiritual Master) as the divine physician who dispenses the only remedy for life’s deepest sufferings. Composed by Sant Karmaveer Tufani, it…

Janm Diyo Thari Maa Dukh Dekhiyo Lyrics in Hindi & Meaning

जन्म दियो थारी माँ दुख देखियो (Maa’s Grief Upon Birthing You) This soul-stirring Chetavani Bhajan (admonitory hymn) is addressed to the Divine Mother (Maa) – a call for repentance when children forget their filial duties in the dark age…

Bhadi Sabha Mein Thane Manaun Lyrics in Hindi & Meaning

Bhadi Sabha Mein Thane Manaun: Invoking the Spear-Wielding Mother Mata Bhawani (श्री ज्वाला भवानी), the fiery manifestation of Shakti worshipped as the Protector of Dharma in Her Dhaulagarh sanctum. Origin & Spiritual Essence Composed in Rajasthani folk tradition by…

Maat Meri Chintapurni Lyrics in Hindi & Meaning

Maat Meri Chintapurni is a heartfelt devotional prayer dedicated to Maa Chintapurni, a form of the Divine Mother. She is revered as the remover of worries and the granter of wishes, especially venerated in the Himalayan region of Himachal…

थारी रे नदियां का ढावा पे खीची राजा Lyrics & Meaning

खीची राजा का अद्भुत युद्ध: एक शौर्य गाथा यह भजन एक पौराणिक या ऐतिहासिक शूरवीर राजा की वीरता का वर्णन करता है, जो प्रायः गुजराती लोक संस्कृति में लोककथाओं का हिस्सा है। इसकी रचना दुर्गेश कटारा ने की है…