Contents
ना जाने किस रूप में आकर काम मेरा कर जाता है लिरिक्स
Na Jane Kis Roop Me Aakar Kaam Mera Kar Jata Hai
ना जाने किस रूप में आकर काम मेरा कर जाता है लिरिक्स (हिन्दी)
तर्ज: तेरी कृपा से श्याम प्रभु।
ना जाने किस रूप में आकर,
काम मेरा कर जाता है,
जब भी दिल से श्याम पुकारू,
लीले चढ़ आ जाता है।।
दर दर भटक रहा था मैं तो,
मिलता नहीं सहारा,
जीवन नईया बीच भंवर में,
दूर बहुत था किनारा,
बनकर मांझी मझधार से,
पार मुझे कर जाता है,
जब भी दिल से श्याम पुकारू,
लीले चढ़ आ जाता है।।
तेरी दया से ओ सांवरिया,
चलता है परिवार मेरा,
खुशियां दे दी इतनी तूने,
महक रहा संसार मेरा,
जब जब मुझ पे संकट आता,
तू ही साथ निभाता है,
जब भी दिल से श्याम पुकारू,
लीले चढ़ आ जाता है।।
सुख भी आये दुख भी आये,
हर पल लिया है नाम तेरा,
छोड़ दिया था अपनों ने,
फिर तुमने पकड़ा हाथ मेरा,
बना गोपाल का तुमसे अब तो,
जन्मों का ये नाता है,
जब भी दिल से श्याम पुकारू,
लीले चढ़ आ जाता है।।
ना जाने किस रूप में आकर,
काम मेरा कर जाता है,
जब भी दिल से श्याम पुकारू,
लीले चढ़ आ जाता है।।
ना जाने किस रूप में आकर काम मेरा कर जाता है Video
ना जाने किस रूप में आकर काम मेरा कर जाता है Video
Singer Shalu Aarohi
Lyrics Sh. Gopal Krishan Sharma
9381188890
Bhajan Summary & Devotional Significance
This soulful bhajan is a heartfelt plea to Lord Shyam (a beloved form of Krishna) expressing the devotee’s complete surrender and faith. The central theme is the divine grace that rescues us in moments of despair. The lyrics describe how, even when the devotee wanders lost and helpless, the Lord arrives in an unseen form to steer the life-boat to safety.
Traditionally sung in the Nirgun and Sagun devotional traditions of North India, the bhajan echoes the Sant poetry of Kabir and Meera—where the divine is both intimate and mysterious. The repeated refrain “jab bhi dil se Shyam pukaru” highlights the power of sincere, heartfelt remembrance (Naam Smaran). The mention of “Gopal” and “Saawariya” connects it to the Braj bhakti parampara, where Krishna is the intimate friend and protector.
English Transliteration
Stanza 1
Na jaane kis roop mein aakaar,
Kaam mera kar jaata hai,
Jab bhi dil se Shyam pukaaru,
Leele chadh a jaata hai.
Stanza 2
Dar dar bhatka tha main to,
Milta nahin sahaara,
Jeevan naiyya beech bhawar mein,
Door bahut tha kinaara,
Ban kar maanjhi madhhaar se,
Paar mujhe kar jaata hai,
Jab bhi dil se Shyam pukaaru,
Leele chadh a jaata hai.
Stanza 3
Teri daya se O Saawariya,
Chalta hai parivaar mera,
Khushiyan de di itni tune,
Mahak raha sansaar mera,
Jab jab mujhpe sankat aata,
Tu hi saath nibhaata hai,
Jab bhi dil se Shyam pukaaru,
Leele chadh a jaata hai.
Stanza 4
Sukh bhi aaye dukh bhi aaye,
Har pal liya hai naam tera,
Chhod diya tha apno ne,
Phir tumne pakda haath mera,
Bana Gopal ka tumse ab to,
Janmon ka ye naata hai,
Jab bhi dil se Shyam pukaaru,
Leele chadh a jaata hai.
Refrain
Na jaane kis roop mein aakaar,
Kaam mera kar jaata hai,
Jab bhi dil se Shyam pukaaru,
Leele chadh a jaata hai.
Verse-by-Verse Meaning (English)
Verse 1: “I don’t know in what form He comes and gets my work done.” This speaks of the mysterious ways grace works. Whenever I call Shyam from the heart, His divine play brings Him right before me.
Verse 2: “I was wandering door to door with no support; my life-boat was far from shore, stuck in a whirlpool.” The devotee recalls desperation. Then, like a boatman who steers from the middle of the ocean, the Lord arrives and ferries him across.
Verse 3: “By Your mercy, O Saawariya, my family thrives; the world blooms with happiness you gave.” In every crisis, You stand by me—Your presence is the antidote to suffering.
Verse 4: “Whether joy or sorrow comes, I chant Your name every moment. When my own abandoned me, You held my hand.” The bond with Gopal is not of this life alone—it’s a tie across lifetimes.
When & How to Chant
Ideal Time: Early morning (Brahma Muhurta) or evening Sandhya are considered most potent for Krishna bhakti. Many devotees also sing this during aarti or family prayer time.
Repetitions: Chanting 11, 21, or 108 times can be deeply meditative. If time is short, even a single heartfelt recitation of the refrain can calm the mind.
Ritual Suggestions: Light a ghee diya, offer tulsi leaves (if worshipping Krishna) or bilva leaves (if worshipping in a Shaivite context), and sing with closed eyes. Focus on the feeling that help is always near.
Cultural Notes & Popular Renditions
This bhajan is widely sung in Braj, UP, Rajasthan, and Madhya Pradesh during Bhajan Sandhyas and festivals like Janmashtami and Holi. It is often performed in a soulful, alap-heavy style by artists like Anup Jalota and Shalu Aarohi (as heard in the video embedded above). The composition carries the gentle cadence of Yamuna river-side bhakti sangeet, where every line feels like a conversation with the Beloved.
Browse all bhajans by Shalu Aarohi
